Yannick Kiggan, SBBK 2023
History on bonsai styles
- Bunjin scroll 
- Linear formal 
- Neoclassical top ⅓ hiding trunk 
- Tashiogari (⅓ H from base to first primary branch 
- Masahiko Kimura— contemporary bonsai school (break rules) 
Key Features of a Bonsai
- Nebari 
- Not as important for literati, cascade, conifers 
- Movement 
- Branch placement 
- Taper 
- Balance 
- Long branches can be brought back in (around the axis of the tree) 
- Ideal bends and branches—2nd section is ½ length of last lower section, etc 
- Can be the mass of the pot to counter a leaning trunk 
- Ryan Neil— balances massive deadwood and living 
- Deadwood 
- Bark 
- Branch movement 
- Traditional informal upright, branch movement and taper of trunk applies as well 
- Alternating—to avoid swelling or bar-branching 
- Minimum of 3 branches 
- 1st Primary 
- Counter balance 
- Back branch (depth) 
- Apex 
- Front branch 
- Style bottom to top 
- Move downward for age 
- Then remove bottom branches 
- Style 
- primary has 3 pads and larger—more open space 
- counter balance fewer pads, smaller pads, less space 
- Deadwood 
- Branch breaks downward, irregular 
- Larger break on top and finer breaks under 
- One technique is to leave some bark on when drying to help preserve wood 
- Prefers to create a deadwood triangle 
- Remove a little bark from under the branch as though it tore off 
- Can create movement by heat or wet towels 
- Wiring (⅓ branch Dia Al)(¼ branch Dia Cu) 
- Bending down, start rotating ontop for tension and rotate towards the direction of the bend 
- Maximum of 2 wires on a branch 
- Start wiring over the shoulder and not from the crotch 
Material
- Soil 
- Italian alt to Akadama is Bardula (decomposes 5yrs later) 
- Pumice—drainage, porous 
- Lava—sharp and prevents fine roots, but has iron and gets greener foilage 
- Can put rusty nails on top of soil to add iron 
 
            
           
            
           
            
          